Development of Watercolor Paint Made from Plant Pigments

Authors

  • Jemuel M. Mate College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Dianne Ivy M. Monta College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Claire J. Pedragoza College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Althea Sheen A. Nazareno College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Menandro M. Merlin College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Mario T. Mascareñas College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Ma. Lorraine M. Pascua College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Jan Fern Historillo College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Nikka Mae J. Adling College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Aynah N. Rocha College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Nicko N. Mantaring College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Andrea E. Aldovino College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author
  • Maynard M. Muhi College of Industrial Technology, Marinduque State University, Marinduque, Philippines Author

DOI:

https://doi.org/10.65138/ijris.2026.v4i1.258

Abstract

This study focused on the development and evaluation of watercolor samples derived from alternative materials. It aimed to identify the physical characteristics of the developed watercolors, including color temperature (warm or cool) and lightfastness (fugitive or non-fugitive). The study also evaluated the quality of the samples using a four-point Likert scale, focusing on granulation, staining, transparency, and pigment number, and sought to determine any significant differences between the developed samples and commercially available control samples. An experimental research design was employed, and data were gathered from artists, Drafting Technology students, and faculty members from the College of Industrial Technology. The results were analyzed using mean, standard deviation, and ANOVA (Analysis of Variance). Findings revealed that all red, yellow, and blue treatments exhibited cool shades, whereas control yellow samples showed warm tones. In terms of lightfastness, all developed colors were rated as semi-fugitive. For granulation, red treatments were rated as semi-granulating, while yellow and blue treatments were non-granulating. Regarding staining, RT50 red was classified as staining, and RT25 and RT75 as highly staining; yellow and blue treatments were also rated as highly staining. All color treatments were rated opaque in terms of transparency. As for pigment composition, RT50 was identified as containing triple pigments, while the others contained multiple pigments. ANOVA results showed significant differences between the developed and control samples. In red color samples, granulation, staining, and pigment number showed significant differences, while transparency did not. For yellow and blue samples, granulation and pigment number were also found to be significantly different, while staining and transparency were not. These findings suggest that the developed watercolor samples, despite being derived from alternative materials, exhibit characteristics and performance comparable to those of commercial watercolors, supporting their potential use in creative and technical applications.

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Published

21-01-2026

Issue

Section

Articles

How to Cite

[1]
J. M. Mate, “Development of Watercolor Paint Made from Plant Pigments”, IJRIS, vol. 4, no. 1, pp. 22–36, Jan. 2026, doi: 10.65138/ijris.2026.v4i1.258.